Tactile fitting refined sews, boudoir-inspired additional items made for a pitch-ideal mixture of simplicity and class.
A lot of designers speak about wanting to design intimate, personal clothing. But with Joseph Altuzarra’s fall collection, it was the real deal. He was inspired by a box of clothing he excavated from his grandmother, Jenette Wei, now 89, who sounds like she is one glamorous lady. Originally from China, she immigrated to San Francisco in the Forties, and by the Fifties had been named Miss Chinatown.
“This collection is, I don’t like to say ladylike, but has a streak of traditional femininity that’s being distorted through fabrication, wrinkling and creasing, mixing masculine elements and really paring things down,” Altuzarra said during a preview.
A beautifully cut, portrait collar coatdress opened the show, adding some serious sex appeal (and cleavage) to the season’s tailoring conversation. A cream-coloured, melange tweed skirt suit with Altuzurra’s signature slit skirt also looked great.
The blazer with exposed darting to emphasize the human touch. A more traditionally masculine grey melange tweed pantsuit with wide, low-set lapels on the jacket was classic but special.
Cheongsams were left unbuttoned at the shoulder for a smidge of seduction and worn with fuzzy feather slippers after grandmother Wei’s. (Fun fact: The dresses actually have double collars, both Mandarin and Western, so you can wear them buttoned up or open.)
Knit dressing was another through-line, with cardigan and skirt sets in saturated, painterly dip dyes, and body-con, silver ribbed Lurex knit dresses with rows of covered button tracing the curves.
The real showstoppers, though, were crinkled metallic silk suits and dresses, which charmed with a sense of sweet nostalgia. “What is not disposable are things that have sentimental value,” explained Altuzarra. “I’m attracted to the idea of things that show age.” God bless him.