Chanel 2016 Spring Collection

Chanel Spring 2016
View Gallery 30 Photos
Chanel Spring  2016 Collection
Chanel Spring  Collection
Chanel 2016 Spring  Collection
Chanel 2016  Spring  Collection
Chanel Latest Spring  Collection
Spring  Chanel 2016 Collection
Chanel 2016 Spring   Collection
Spring  Latest Chanel 2016 Collection
Spring  Latest Chanel Collection
Spring   Chanel 2016 Collection
Spring  Chanel Latest Collection
Chanel Spring  2016 Collection
2016 Chanel Spring  Collection
2016 Spring  Chanel  Collection
2016 Latest Chanel  Spring  Collection
2016 Spring  Chanel Collection
2016 Latest Spring  Chanel Collection
Chanel Spring  2016 Collection
2016 Chanel  Spring  Collection
Chanel 2016 Spring  Collection
Chanel Latest 2016 Spring  Collection
Chanel Spring  Latest 2016 Collection
Spring  2016 Chanel Collection
Latest Collection by Chanel Spring  2016
Latest Collection by Chanel 2016
Spring  Chanel Collection
Latest Collection Spring  2016 by Chanel
Latest Collection Spring  2016 by Chanel
Chanel Spring  Collection
Latest Collection by Chanel

Chanel Spring Collection for Fashion show paris 2016

Serenity isn’t a condition normally associated with Karl Lagerfeld’s Chanel. Yet guests entering the Grand Palais on Tuesday morning felt enveloped in Zen-like calm, the set an ode to nature’s quiet gifts. A blue sky, lush green lawn and cedar trees framed a simple-pleasures modernist house, three windowless tiers of vertical slats, the chic geometry rendered in humble natural oak.

Without musical warning, a male model in patchwork pants appeared and pressed a button, opening a center panel of the house. From there exited Chanel’s parade of fashion, an expression of couture at its most relevant. “I think it’s the first couture collection done in the ecological approach. It’s fun to do this after being high-tech,” Lagerfeld said, referring to his collection last fall, which featured jackets made on 3-D printers.

For spring, the ruse was ecological, au naturale. Hence, the base of beige (before she championed the LBD, Mademoiselle Chanel was known as the Queen of Beige, Lagerfeld informed during a studio visit) and the primary embroideries: wood. Every imaginable incarnation of wood-in-miniature became the stuff of couture craft flat, rounded, rough-hewn, smooth. So, too, did other materials string, straw, raffia, twine and what appeared to be raw cottons and linens, all transformed into embroidered tweeds, lattices and inventive embellishment. “It helps to own the houses,” Lagerfeld said, referring to the network of specialty ateliers Chanel owns via its Paraffection subsidiary. “Lemarié used to do just feathers. Now they do everything.”

Those slits spoke to Lagerfeld’s creative ethos. Again and again, this consummate commercial designer delivers the highest of high fashion designed to be worn. The work is intense but not superfluous, delivered with a range essential to the house’s extensive clientele. For every rich lady who likes a suit on the plain side, such as the show opener with bold seaming its primary decoration, there’s another who fancies fancier. For her: the wooden embroideries, some natural in earnest, others integrating the kind of sparkle that only appears naturally in the night sky.

Designerzcentral