The Fall collection influenced by Andalusia with ruffles and lace and sweeping tulle skirts that very much projected the gorgeous fantasy of the Elie Saab world.
Andalusia was the idea behind Elie Saab’s fall lineup, giving the reason for the mounds of lace, fringes, tassels, sequined embroidery work, upright ruffles, boleros, capes, emphatic belts, hefty shoulders and all those bows tucked under chins. The designer churned out his creations in impressive quantity.
Elie Saab’s fall collection full-lengthblack velvet dress with a side slit and kimono sleeves and just three patches of embroidery. A black tulle number with a huge black bow on the neck became interesting with ivory, knit cape thrown over the top, and finished off with scrunched black boots and gloves.
A nod to the bourgeois trend came in the form of a grey, tweed coatand trench ensemble or the requisite shorts suit — paired with high boots in the same material. Thankfully, the designer did not succumb to this season’s fringe deluge, keeping them limited.
Limits are not what the house is about, it serves the fancier, red-carpet, one-per cent kind of crowds — so the stark, Palais de Tokyo setting felt unexpected, serving as a reminder that even a bubble of excess will not be untouched by our unsettled climate.
The front row smelled of hand sanitizer, and one guest laughed that his wife had splashed out and bought some with gold flecks. The Elie Saab woman is not ready to compromise, as suggested in the show notes. “Like Andalusia, she is what she is.”